CUYP, Aelbert

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
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CUYP, Aelbert The Avenue at Meerdervoort dfg oil


The Avenue at Meerdervoort dfg
Painting ID::  6336 		The Avenue at Meerdervoort dfg
1650-52 Oil on wood, 70 x 99 cm Wallace Collection, London
   
   
     
CUYP, Aelbert The Dairy Maid dfg oil


The Dairy Maid dfg
Painting ID::  6337 		The Dairy Maid dfg
1650s Oil on canvas, 106 x 172 cm The Hermitage, St. Petersburg
   
   
     
CUYP, Aelbert Domestic Fowl fg oil


Domestic Fowl fg
Painting ID::  6338 		Domestic Fowl fg
Oil on oak panel, 44,5 x 54,5 cm Groeninge Museum, Bruges
Oil_on_oak_panel,_44,5_x_54,5_cm Groeninge_Museum,_Bruges
   
   
     
CUYP, Aelbert Grey Horse in a Landscape dfg oil


Grey Horse in a Landscape dfg
Painting ID::  6339 		Grey Horse in a Landscape dfg
Oil on canvas Museum Boymans-van Beuningen, Rotterdam
Oil_on_canvas Museum_Boymans-van_Beuningen,_Rotterdam
   
   
     
CUYP, Aelbert Herdsmen with Cows dfg oil


Herdsmen with Cows dfg
Painting ID::  6340 		Herdsmen with Cows dfg
Oil on canvas, 101,4 x 145,8 cm Dulwich Picture Gallery, London
   
   
     
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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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