CUYP, Aelbert

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
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CUYP, Aelbert Large River Landscape with Horsemen fdg oil


Large River Landscape with Horsemen fdg
Painting ID::  6351 		Large River Landscape with Horsemen fdg
Oil on canvas Rijksmuseum, Amsterdam
Oil_on_canvas Rijksmuseum,_Amsterdam
   
   
     
CUYP, Aelbert The Maas at Dordrecht sdf oil


The Maas at Dordrecht sdf
Painting ID::  6352 		The Maas at Dordrecht sdf
c. 1660 Oil on canvas, 114,9 x 170,2 cm National Gallery of Art, Washington
   
   
     
CUYP, Aelbert Landscape near Rhenen df oil


Landscape near Rhenen df
Painting ID::  6353 		Landscape near Rhenen df
1650-55 Oil on canvas, 170 x 229 cm Mus??e du Louvre, Paris
   
   
     
CUYP, Aelbert River Landscape fdgs oil


River Landscape fdgs
Painting ID::  6354 		River Landscape fdgs
1655-60 Oil on canvas, 123 x 241 cm National Gallery, London
   
   
     
CUYP, Aelbert River Scene with Milking Woman sdf oil


River Scene with Milking Woman sdf
Painting ID::  6355 		River Scene with Milking Woman sdf
c. 1646 Oil on wood, 48,3 x 74,6 cm Staatliche Kunsthalle, Karlsruhe
   
   
     
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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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