Camille Pissaro

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.


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Camille Pissaro Orchard in Bloom at Louveciennes oil


Orchard in Bloom at Louveciennes
Painting ID::  4339
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
   
   
     

Camille Pissaro Orchard in Bloom at Louveciennes oil


Orchard in Bloom at Louveciennes
Painting ID::  4340
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
   
   
     

Camille Pissaro The Artist's Garden at Eragny oil


The Artist's Garden at Eragny
Painting ID::  4341
The Artist's Garden at Eragny
1898 29" x 36 3/8" National Gallery of Art, Washington DC
   
   
     

Camille Pissaro Washerwoman, Eragny sur Epte oil


Washerwoman, Eragny sur Epte
Painting ID::  4342
Washerwoman, Eragny sur Epte
1895
1895
   
   
     

Camille Pissaro Apple Picking at Eragny sur Epte oil


Apple Picking at Eragny sur Epte
Painting ID::  4343
Apple Picking at Eragny sur Epte
1888 Dalla Museum of Art
1888_Dalla_Museum_of_Art
   
   
     

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     Camille Pissaro
     1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

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