Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Camille Pissarro Self-Portrait oil


Self-Portrait
Painting ID::  11429 		Self-Portrait
1873 1' 10'' x 1' 6 1/4''(56 x 46.5 cm)Gift of PaulEmile Pissarro,1930
   
   
     
Camille Pissarro Landscape at Montmorency oil


Landscape at Montmorency
Painting ID::  11430 		Landscape at Montmorency
ca 1859 8 1/2'' x 10 3/4''(21.5 x 27.5 cm)Gift of Baron d'Albenas,1943
   
   
     
Camille Pissarro The Road to Louveciennes oil


The Road to Louveciennes
Painting ID::  11431 		The Road to Louveciennes
1872 1' 11 1/2'' x 2'5''(60 x 73.5 cm)Gift of Paul Gachet,,1951
   
   
     
Camille Pissarro Red Roofs1 Village Corner oil


Red Roofs1 Village Corner
Painting ID::  11432 		Red Roofs1 Village Corner
Impression of Winter,1877 1' 9 1/2'' x 2' 1 3/4''(54.5 x 65.5 cm)Bequest of Gustave Caillebotte,1894
   
   
     
Camille Pissarro The Harvest at Montfoucault oil


The Harvest at Montfoucault
Painting ID::  11433 		The Harvest at Montfoucault
1876 2' 1 1/2'' x 3'(65 x 92.5 cm)Bequest of Gustave Caillebotte,1894
   
   
     
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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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