Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Place du Havre, Paris oil


Place du Havre, Paris
Painting ID::  85690
Place du Havre, Paris
Date 1893(1893) Medium Oil on canvas Dimensions 60 x 73 cm (23.6 x 28.7 in) cjr
   
   
     

Camille Pissarro View from the Artist's Window oil


View from the Artist's Window
Painting ID::  86086
View from the Artist's Window
1885(1885) Medium Oil on canvas Dimensions 54.5 x 65.1 cm (21.5 x 25.6 in) cyf
   
   
     

Camille Pissarro Winter oil


Winter
Painting ID::  86423
Winter
1872 Medium English: oil on canvas Dimensions 55.5 x 131.6 cm cyf
   
   
     

Camille Pissarro Place du Theatre Francais oil


Place du Theatre Francais
Painting ID::  86568
Place du Theatre Francais
Date 1897(1897) Medium Oil on canvas Dimensions 54 x 66 cm cjr
   
   
     

Camille Pissarro La Recolte des Foins Eragny oil


La Recolte des Foins Eragny
Painting ID::  86692
La Recolte des Foins Eragny
oil on canvas, 51 x 66 cm Date 1887(1887) cyf
oil_on_canvas,_51_x_66_cm_ Date_1887(1887) _ cyf
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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