Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Camille Pissarro The Louvre, Spring oil


The Louvre, Spring
Painting ID::  91446 		The Louvre, Spring
1901(1901) Medium oil on canvas Dimensions 54 x 65 cm (21.3 x 25.6 in) cjr
   
   
     
Camille Pissarro Le Pont-Neuf oil


Le Pont-Neuf
Painting ID::  92160 		Le Pont-Neuf
1902(1902) Medium oil on canvas Dimensions 55 X 46,5 cm cyf
   
   
     
Camille Pissarro Apple harvest at Eragny oil


Apple harvest at Eragny
Painting ID::  92185 		Apple harvest at Eragny
1888(1888) Medium oil on canvas Dimensions 85.09 X 73.98 cm (33.5 X 29.1 in) cyf
   
   
     
Camille Pissarro Tuileries Gardens Winter Afternoon oil


Tuileries Gardens Winter Afternoon
Painting ID::  92215 		Tuileries Gardens Winter Afternoon
oil on canvas, 73.3 x 92.4 cm, Metropolitan Museum of Art cyf
   
   
     
Camille Pissarro Tuileries Gardens oil


Tuileries Gardens
Painting ID::  92265 		Tuileries Gardens
oil on canvas, 73 x 92 cm, Israel Museum Date 1900(1900) cyf
   
   
     
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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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