Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Landscape oil


Landscape
Painting ID::  35521
Landscape
mk103 pencil 25x29
mk103 pencil 25x29
   
   
     

Camille Pissarro Springtime,grey weather,Eragny oil


Springtime,grey weather,Eragny
Painting ID::  35522
Springtime,grey weather,Eragny
mk103 1895 Oil on canvas 60.3x73
mk103 1895 Oil_on_canvas 60.3x73
   
   
     

Camille Pissarro Church and farm at Eragny-sur-Epte oil


Church and farm at Eragny-sur-Epte
Painting ID::  35523
Church and farm at Eragny-sur-Epte
mk103 1894-95
mk103 1894-95
   
   
     

Camille Pissarro Rear View for a man in a smock oil


Rear View for a man in a smock
Painting ID::  35524
Rear View for a man in a smock
mk103 back chalk 19.7x14.9
mk103 back_chalk_ 19.7x14.9
   
   
     

Camille Pissarro Study for The Poultry market,Gisors oil


Study for The Poultry market,Gisors
Painting ID::  35525
Study for The Poultry market,Gisors
mk103 c.1885 Black chalk and pastel 31x24.1
mk103 c.1885 Black_chalk_and_pastel 31x24.1
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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