Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro The Louvre under snow oil


The Louvre under snow
Painting ID::  35543
The Louvre under snow
mk103 1902 Oil on canvas 65.4x87.3
mk103 1902 Oil_on_canvas 65.4x87.3
   
   
     

Camille Pissarro The Carrousel,autumn morning oil


The Carrousel,autumn morning
Painting ID::  35544
The Carrousel,autumn morning
mk103 1899 Oil on canvas 73.5x93
mk103 1899 Oil_on_canvas 73.5x93
   
   
     

Camille Pissarro Afternoon sunshine oil


Afternoon sunshine
Painting ID::  35545
Afternoon sunshine
mk103 Oil on canvas 73x92.1
mk103 Oil_on_canvas 73x92.1
   
   
     

Camille Pissarro Rue de I-Epicerie,Rouen oil


Rue de I-Epicerie,Rouen
Painting ID::  35546
Rue de I-Epicerie,Rouen
mk103 1898 Oil on canvas 81.3x65.3
mk103 1898 Oil_on_canvas 81.3x65.3
   
   
     

Camille Pissarro Place de la Republique,Rouen oil


Place de la Republique,Rouen
Painting ID::  35547
Place de la Republique,Rouen
mk103 1883 14.2x16.5
mk103 1883 14.2x16.5
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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