Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro The Young maid oil


The Young maid
Painting ID::  35558
The Young maid
mk103 1896 Oil on canvas 61x50
mk103 1896 Oil_on_canvas 61x50
   
   
     

Camille Pissarro Self-Portrait oil


Self-Portrait
Painting ID::  35559
Self-Portrait
mk103 1903 Oil on canvas 41x33.3
mk103 1903 Oil_on_canvas 41x33.3
   
   
     

Camille Pissarro Pick Apple oil


Pick Apple
Painting ID::  35886
Pick Apple
mk106 1888 Oil on canvas 60x73cm
mk106 1888 Oil_on_canvas 60x73cm
   
   
     

Camille Pissarro The Woman on the side of Wall oil


The Woman on the side of Wall
Painting ID::  35888
The Woman on the side of Wall
mk106 1886-1888 Oil on canvas 65x81cm
mk106 1886-1888 Oil_on_canvas 65x81cm
   
   
     

Camille Pissarro Kitchen Garden at L-Hermitage oil


Kitchen Garden at L-Hermitage
Painting ID::  38811
Kitchen Garden at L-Hermitage
mk141 1874 National Gallery of Scotland
mk141 1874 National_Gallery_of_Scotland
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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