Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Pick  Apples oil


Pick Apples
Painting ID::  48737
Pick Apples
mk191 1888 Oil on canvas 60x73cm
mk191 1888 Oil_on_canvas 60x73cm
   
   
     

Camille Pissarro Detail of Pick  Apples oil


Detail of Pick Apples
Painting ID::  48738
Detail of Pick Apples
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

Camille Pissarro Detail of Pick  Apples oil


Detail of Pick Apples
Painting ID::  48739
Detail of Pick Apples
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

Camille Pissarro Detail of Pick  Apples oil


Detail of Pick Apples
Painting ID::  48740
Detail of Pick Apples
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

Camille Pissarro The Apple Pickers oil


The Apple Pickers
Painting ID::  48986
The Apple Pickers
mk192 1886 128x128cm
mk192 1886 128x128cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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