Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Paris-s opera house street oil


Paris-s opera house street
Painting ID::  50643
Paris-s opera house street
mk213 Oil on canvas
mk213 Oil_on_canvas
   
   
     

Camille Pissarro The Career at the Hermitage,Pontoise oil


The Career at the Hermitage,Pontoise
Painting ID::  51845
The Career at the Hermitage,Pontoise
mk221 1873 Oil on canvas 55.7x46cm
mk221 1873 Oil_on_canvas 55.7x46cm
   
   
     

Camille Pissarro The Tedder oil


The Tedder
Painting ID::  51846
The Tedder
mk221 1884 Oil on canvas 73.5x60cm
mk221 1884 Oil_on_canvas 73.5x60cm
   
   
     

Camille Pissarro View of Bazincourt oil


View of Bazincourt
Painting ID::  51847
View of Bazincourt
mk221 1884 OIl on canvas 54.3x64.8cm
mk221 1884 OIl_on_canvas 54.3x64.8cm
   
   
     

Camille Pissarro Berger and Sheep oil


Berger and Sheep
Painting ID::  51848
Berger and Sheep
mk221 1890 Gouache and pencil on silk 27x55.2cm
mk221 1890 Gouache_and_pencil_on_silk 27x55.2cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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