Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Herd of Sheep at Sunset oil


Herd of Sheep at Sunset
Painting ID::  51849
Herd of Sheep at Sunset
mk221 1889 20x62cm
mk221 1889 20x62cm
   
   
     

Camille Pissarro Rouen,Effect of Fog oil


Rouen,Effect of Fog
Painting ID::  51850
Rouen,Effect of Fog
mk221 1898 Oil on canvas 65.4x81.3cm
mk221 1898 Oil_on_canvas 65.4x81.3cm
   
   
     

Camille Pissarro LaVarenne-Saint-Hilaire,View from Champigny oil


LaVarenne-Saint-Hilaire,View from Champigny
Painting ID::  51897
LaVarenne-Saint-Hilaire,View from Champigny
mk222 c.1863 Szepmuveszeti Museum
mk222 c.1863 Szepmuveszeti_Museum
   
   
     

Camille Pissarro The Gardener oil


The Gardener
Painting ID::  51969
The Gardener
mk222 1899 92.5x65.4cm
mk222 1899 92.5x65.4cm
   
   
     

Camille Pissarro Bathing girl who sat up haret oil


Bathing girl who sat up haret
Painting ID::  53908
Bathing girl who sat up haret
mk234 1893 92x74cm
mk234_ 1893_ 92x74cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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