Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Pang map of the iceberg Schwarz oil


Pang map of the iceberg Schwarz
Painting ID::  57815
Pang map of the iceberg Schwarz
mk259 1878 Oil on canvas years 55 x 65 cm
mk259_1878_Oil_on_canvas_years_55_x_65_cm
   
   
     

Camille Pissarro Landscape oil


Landscape
Painting ID::  57816
Landscape
mk259 1879 Oil on canvas years 54 x 65 cm
mk259_1879_Oil_on_canvas_years_54_x_65_cm
   
   
     

Camille Pissarro Yun-hay carriage oil


Yun-hay carriage
Painting ID::  57817
Yun-hay carriage
mk259 1879 Oil on canvas years 46.3 x 55.3 cm
mk259_1879_Oil_on_canvas_years_46.3_x_55.3_cm
   
   
     

Camille Pissarro Wheelbarrow oil


Wheelbarrow
Painting ID::  57818
Wheelbarrow
mk259 1879 Oil on canvas years 54 x 65 cm
mk259_1879_Oil_on_canvas_years_54_x_65_cm
   
   
     

Camille Pissarro Woods oil


Woods
Painting ID::  57819
Woods
mk259 1879 Oil on canvas years 46.5 x 56 cm
mk259_1879_Oil_on_canvas_years_46.5_x_56_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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