Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Farmhouse oil


Farmhouse
Painting ID::  57855
Farmhouse
mk259 1884 Oil on canvas years 46 x 55 cm
mk259_1884_Oil_on_canvas_years_46_x_55_cm
   
   
     

Camille Pissarro Sitting in the garden of the maids oil


Sitting in the garden of the maids
Painting ID::  57856
Sitting in the garden of the maids
mk259 1884 Oil on canvas years 60 x 75 cm
mk259_1884_Oil_on_canvas_years_60_x_75_cm
   
   
     

Camille Pissarro Hurrying scenery oil


Hurrying scenery
Painting ID::  57857
Hurrying scenery
mk259 1883 Oil on canvas years 45.7 x 55.6 cm
mk259_1883_Oil_on_canvas_years_45.7_x_55.6_cm
   
   
     

Camille Pissarro Sitting oil


Sitting
Painting ID::  57859
Sitting
mk259 1885 Oil on canvas years 73 x 59.7 cm
mk259_1885_Oil_on_canvas_years_73_x_59.7_cm
   
   
     

Camille Pissarro market oil


market
Painting ID::  57860
market
mk259 1885 Oil on canvas years 46 x 38 cm
mk259_1885_Oil_on_canvas_years_46_x_38_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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