Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Garden girls oil


Garden girls
Painting ID::  57891
Garden girls
mk259 1892 Oil on canvas years 73 x 92 cm
mk259_1892_Oil_on_canvas_years_73_x_92_cm
   
   
     

Camille Pissarro Hyde Park oil


Hyde Park
Painting ID::  57892
Hyde Park
mk259 1890 Oil on canvas years 54 x 73 cm
mk259_1890_Oil_on_canvas_years_54_x_73_cm
   
   
     

Camille Pissarro London Bridge oil


London Bridge
Painting ID::  57893
London Bridge
mk259 1890 Oil on canvas years 60 x 92.4 cm
mk259_1890_Oil_on_canvas_years_60_x_92.4_cm
   
   
     

Camille Pissarro Farmer s yard oil


Farmer s yard
Painting ID::  57894
Farmer s yard
mk259 1891 Oil on canvas years 38.3 x 46 cm
mk259_1891_Oil_on_canvas_years_38.3_x_46_cm
   
   
     

Camille Pissarro Pang plans Schwarz bridge oil


Pang plans Schwarz bridge
Painting ID::  57895
Pang plans Schwarz bridge
mk259 1891 Oil on canvas years 33 x 41 cm
mk259_1891_Oil_on_canvas_years_33_x_41_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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