Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Spring oil


Spring
Painting ID::  60547
Spring
mk259 1872 Oil on canvas 55 x 130 cm
mk259_1872_Oil_on_canvas_55_x_130_cm
   
   
     

Camille Pissarro Summer oil


Summer
Painting ID::  60548
Summer
mk259 1872 Oil on canvas 55 x 130 cm
mk259_1872_Oil_on_canvas_55_x_130_cm
   
   
     

Camille Pissarro Autumn oil


Autumn
Painting ID::  60549
Autumn
mk259 1872 Oil on canvas 55 x 130 cm
mk259_1872_Oil_on_canvas_55_x_130_cm
   
   
     

Camille Pissarro Winter oil


Winter
Painting ID::  60550
Winter
mk259 1872 Oil on canvas 55 x 130 cm
mk259_1872_Oil_on_canvas_55_x_130_cm
   
   
     

Camille Pissarro basket of apples and pears oil


basket of apples and pears
Painting ID::  60551
basket of apples and pears
mk259 1872 Oil on canvas 45.7 x 55.2 cm
mk259_1872_Oil_on_canvas_45.7_x_55.2_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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