Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Migne oil


Migne
Painting ID::  60552
Migne
mk259 1872 Oil on canvas 45.9 x 35.6 cm
mk259_1872_Oil_on_canvas_45.9_x_35.6_cm
   
   
     

Camille Pissarro Schwartz of Schwartz Metaponto riparian oil


Schwartz of Schwartz Metaponto riparian
Painting ID::  60553
Schwartz of Schwartz Metaponto riparian
mk259 1873 Oil on canvas 38.1 x 56.2 cm
mk259_1873_Oil_on_canvas_38.1_x_56.2_cm
   
   
     

Camille Pissarro fog hole oil


fog hole
Painting ID::  60554
fog hole
mk259 1873 Oil on canvas 38 x 56.5 cm
mk259_1873_Oil_on_canvas_38_x_56.5_cm
   
   
     

Camille Pissarro Metaponto factory near Watts oil


Metaponto factory near Watts
Painting ID::  60555
Metaponto factory near Watts
mk259 1873 Oil on canvas 45.7 x 54.6 cm
mk259_1873_Oil_on_canvas_45.7_x_54.6_cm
   
   
     

Camille Pissarro Schwarz s cock Metaponto oil


Schwarz s cock Metaponto
Painting ID::  60556
Schwarz s cock Metaponto
mk259 1873 Oil on canvas 46 x 55 cm
mk259_1873_Oil_on_canvas_46_x_55_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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