Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.


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Canaletto Rome The Arch of Septimius Severus (mk25) oil


Rome The Arch of Septimius Severus (mk25)
Painting ID::  24084
Rome The Arch of Septimius Severus (mk25)
1742
1742
   
   
     

Canaletto The Arch of Titus (mk25) oil


The Arch of Titus (mk25)
Painting ID::  24086
The Arch of Titus (mk25)
1742
1742
   
   
     

Canaletto Rome The Arch of Constantine (mk25) oil


Rome The Arch of Constantine (mk25)
Painting ID::  24087
Rome The Arch of Constantine (mk25)
1742
1742
   
   
     

Canaletto The Bacino di S Marco on Ascension Day (mk25) oil


The Bacino di S Marco on Ascension Day (mk25)
Painting ID::  24091
The Bacino di S Marco on Ascension Day (mk25)
c 1734
c_1734
   
   
     

Canaletto A Regatta on the Grand Canal (mk25) oil


A Regatta on the Grand Canal (mk25)
Painting ID::  24093
A Regatta on the Grand Canal (mk25)
c 1734
c_1734
   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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