Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Entombment oil


The Entombment
Painting ID::  62391
The Entombment
1602-03 Oil on canvas, width of detail: 30 cm Pinacoteca, Vatican The detail shows the head of Mary
   
   
     

Caravaggio card-players, c oil


card-players, c
Painting ID::  64297
card-players, c
1590-95 courtesy of the fogg art museum, harvard university, cambridge, mass
   
   
     

Caravaggio de sju barmhartighetsgarningarna oil


de sju barmhartighetsgarningarna
Painting ID::  67400
de sju barmhartighetsgarningarna
se
se
   
   
     

Caravaggio The Tooth Drawer oil


The Tooth Drawer
Painting ID::  68272
The Tooth Drawer
Technique Oil on canvas Dimensions 139.5 ?? 194.5 cm
Technique_Oil_on_canvas_ Dimensions_139.5_??_194.5_cm
   
   
     

Caravaggio David mit dem Haupt des Goliath oil


David mit dem Haupt des Goliath
Painting ID::  70717
David mit dem Haupt des Goliath
Medium Oil on poplar Dimensions Expression error: Missing operand for *90.5 ?? 116 cm
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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