Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio David fgfd oil


David fgfd
Painting ID::  5767 		David fgfd
1600 Oil on canvas, 110 x 91 cm Museo del Prado, Madrid
1600 Oil_on_canvas,_110_x_91_cm Museo_del_Prado,_Madrid
   
   
     
Caravaggio The Sacrifice of Isaac fdg oil


The Sacrifice of Isaac fdg
Painting ID::  5768 		The Sacrifice of Isaac fdg
1601-02 Oil on canvas, 104 x 135 cm Galleria degli Uffizi, Florence
   
   
     
Caravaggio The Sacrifice of Isaac fd oil


The Sacrifice of Isaac fd
Painting ID::  5769 		The Sacrifice of Isaac fd
1601-02 Oil on canvas, 104 x 135 cm Galleria degli Uffizi, Florence
   
   
     
Caravaggio The Sacrifice of Isaac (detail) dsf oil


The Sacrifice of Isaac (detail) dsf
Painting ID::  5770 		The Sacrifice of Isaac (detail) dsf
1601-02 Oil on canvas Galleria degli Uffizi, Florence
1601-02 Oil_on_canvas Galleria_degli_Uffizi,_Florence
   
   
     
Caravaggio The Sacrifice of Isaac (detail) ff oil


The Sacrifice of Isaac (detail) ff
Painting ID::  5771 		The Sacrifice of Isaac (detail) ff
1601-02 Oil on canvas, width of detail: 55 cm Galleria degli Uffizi, Florence
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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