Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Incredulity of Saint Thomas dsf oil


The Incredulity of Saint Thomas dsf
Painting ID::  5772
The Incredulity of Saint Thomas dsf
1601-02 Oil on canvas, 107 x 146 cm Sanssouci, Potsdam
1601-02 Oil_on_canvas,_107_x_146_cm Sanssouci,_Potsdam
   
   
     

Caravaggio Supper at Emmaus gg oil


Supper at Emmaus gg
Painting ID::  5773
Supper at Emmaus gg
1601-02 Oil on canvas, 139 x 195 cm National Gallery, London
   
   
     

Caravaggio Supper at Emmaus (detail) fg oil


Supper at Emmaus (detail) fg
Painting ID::  5774
Supper at Emmaus (detail) fg
1601-02 Oil on canvas National Gallery, London
1601-02 Oil_on_canvas National_Gallery,_London
   
   
     

Caravaggio Supper at Emmaus (detail) fdg oil


Supper at Emmaus (detail) fdg
Painting ID::  5775
Supper at Emmaus (detail) fdg
1601-02 Oil on canvas National Gallery, London
1601-02 Oil_on_canvas National_Gallery,_London
   
   
     

Caravaggio Amor Victorious dsf oil


Amor Victorious dsf
Painting ID::  5776
Amor Victorious dsf
1602-03 Oil on canvas, 156 x 113 cm Staatliche Museen, Berlin
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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