Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio Lute Player (detail) gg oil


Lute Player (detail) gg
Painting ID::  5725
Lute Player (detail) gg
c. 1596 Oil on canvas The Hermitage, St. Petersburg
c._1596 Oil_on_canvas The_Hermitage,_St._Petersburg
   
   
     

Caravaggio Bacchus (detail) gg oil


Bacchus (detail) gg
Painting ID::  5726
Bacchus (detail) gg
c. 1596 Oil on canvas, height of detail: 25 cm Galleria degli Uffizi, Florence
   
   
     

Caravaggio Bacchus (detail)  fg oil


Bacchus (detail) fg
Painting ID::  5727
Bacchus (detail) fg
c. 1596 Oil on canvas, height of detail: 25 cm Galleria degli Uffizi, Florence
   
   
     

Caravaggio The Fortune Teller (detail) drgdf oil


The Fortune Teller (detail) drgdf
Painting ID::  5728
The Fortune Teller (detail) drgdf
1596-97 Oil on canvas, width of detail: 44 cm Mus??e du Louvre, Paris
   
   
     

Caravaggio The Fortune Teller (detail) hjt oil


The Fortune Teller (detail) hjt
Painting ID::  5729
The Fortune Teller (detail) hjt
1596-97 Oil on canvas, width of detail: 38 cm Mus??e du Louvre, Paris
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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