Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Fruits basket oil


Fruits basket
Painting ID::  45444 		Fruits basket
mk186 around 1597/98 Milan, Pinacoteca Ambrosiana
mk186 around_1597/98_ Milan,_Pinacoteca_Ambrosiana
   
   
     
Caravaggio The meal in Emmaus oil


The meal in Emmaus
Painting ID::  45588 		The meal in Emmaus
mk186, 1601 London, Natinal Gallery
mk186, 1601_London,_Natinal_Gallery
   
   
     
Caravaggio Jungling with fruits basket oil


Jungling with fruits basket
Painting ID::  45590 		Jungling with fruits basket
mk186 around 1593/94 Rome, Galleria Borghese
mk186 around_1593/94_Rome,_Galleria_Borghese
   
   
     
Caravaggio Youthful Bacchus oil


Youthful Bacchus
Painting ID::  45657 		Youthful Bacchus
mk186 1596/97 Florence, Uffizien
mk186 1596/97_Florence,_Uffizien
   
   
     
Caravaggio Maria Magdalena oil


Maria Magdalena
Painting ID::  45708 		Maria Magdalena
mk186 1594/95 Rome, Galleria Doria Pamphilj
mk186 1594/95_Rome,_Galleria_Doria_Pamphilj
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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