Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio Ecce Homo dfg oil


Ecce Homo dfg
Painting ID::  5777
Ecce Homo dfg
c. 1606 Oil on canvas, 128 x 103 cm Palazzo Rosso, Genoa
c._1606 Oil_on_canvas,_128_x_103_cm Palazzo_Rosso,_Genoa
   
   
     

Caravaggio Supper at Emmaus (detail) dfg oil


Supper at Emmaus (detail) dfg
Painting ID::  5778
Supper at Emmaus (detail) dfg
1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
   
   
     

Caravaggio Supper at Emmaus (detail) d oil


Supper at Emmaus (detail) d
Painting ID::  5779
Supper at Emmaus (detail) d
1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
   
   
     

Caravaggio Supper at Emmaus (detail) f oil


Supper at Emmaus (detail) f
Painting ID::  5780
Supper at Emmaus (detail) f
1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
   
   
     

Caravaggio Madonna with the Serpent df oil


Madonna with the Serpent df
Painting ID::  5781
Madonna with the Serpent df
1606 Oil on canvas, 292 x 211 cm Galleria Borghese, Rome
1606 Oil_on_canvas,_292_x_211_cm Galleria_Borghese,_Rome
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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