Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio Bacchus oil


Bacchus
Painting ID::  29938
Bacchus
mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery
mk67 Oil_on_canvas 37_3/8x33_7/16in Uffizi,Gallery
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil


Details of Martyrdom of St.Matthew
Painting ID::  30268
Details of Martyrdom of St.Matthew
nn05 Gentle angel for a cardinal
nn05 Gentle_angel_for_a_cardinal
   
   
     

Caravaggio Martyrdom of St.Matthew oil


Martyrdom of St.Matthew
Painting ID::  30269
Martyrdom of St.Matthew
nn05 1599-160 The theatre of cruelty
nn05 1599-160 The_theatre_of_cruelty
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil


Details of Martyrdom of St.Matthew
Painting ID::  30270
Details of Martyrdom of St.Matthew
nn05 Bloddthirsty murder,fear and horror
nn05 Bloddthirsty_murder,fear_and_horror
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil


Details of Martyrdom of St.Matthew
Painting ID::  30271
Details of Martyrdom of St.Matthew
nn05 To bear witness and die for One's beliefs
nn05 To_bear_witness_and_die_for_One's_beliefs
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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