Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Entombment oil


The Entombment
Painting ID::  33574
The Entombment
mk86 c.1602-1604 Oil on canvas 300x203cm Rome,Musei Vaticani,Pinacoteca Vaticana
   
   
     

Caravaggio The Supper at Emmaus oil


The Supper at Emmaus
Painting ID::  34694
The Supper at Emmaus
mk96 1601 141x196.2cm
mk96 1601 141x196.2cm
   
   
     

Caravaggio The Fortune Teller oil


The Fortune Teller
Painting ID::  34695
The Fortune Teller
mk96 1595 99x131cm
mk96 1595 99x131cm
   
   
     

Caravaggio Bacchus oil


Bacchus
Painting ID::  34696
Bacchus
mk96 1597 95x85cm
mk96 1597 95x85cm
   
   
     

Caravaggio the death of the virgin oil


the death of the virgin
Painting ID::  34697
the death of the virgin
mk96 1605-1606 369x245cm
mk96 1605-1606 369x245cm
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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