Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson molnstudie oil


molnstudie
Painting ID::  65601
molnstudie
se
se
   
   
     

Carl Wilhelmson fiskebackskil oil


fiskebackskil
Painting ID::  65602
fiskebackskil
se
se
   
   
     

Carl Wilhelmson en allegori oil


en allegori
Painting ID::  65603
en allegori
1901, vaggmalning se
1901,_vaggmalning se
   
   
     

Carl Wilhelmson afton vid hamnen oil


afton vid hamnen
Painting ID::  65604
afton vid hamnen
1909, vaggmalning se
1909,_vaggmalning se
   
   
     

Carl Wilhelmson vararbete i uppland oil


vararbete i uppland
Painting ID::  67281
vararbete i uppland

   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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