Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson pa skeppsbron oil


pa skeppsbron
Painting ID::  65586
pa skeppsbron
1907, skiss till vaggmalning i centralposthuset se
1907,_skiss_till_vaggmalning_i_centralposthuset se
   
   
     

Carl Wilhelmson plojare oil


plojare
Painting ID::  65587
plojare
1907, studie till vararbete se
1907,_studie_till_vararbete se
   
   
     

Carl Wilhelmson kyrkfolk i bat oil


kyrkfolk i bat
Painting ID::  65588
kyrkfolk i bat
1909 se
1909 se
   
   
     

Carl Wilhelmson pigorna i avila oil


pigorna i avila
Painting ID::  65589
pigorna i avila
1910 se
1910 se
   
   
     

Carl Wilhelmson sommar oil


sommar
Painting ID::  65590
sommar
1911 se
1911 se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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