Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson sommar oil


sommar
Painting ID::  65591
sommar
1915 se
1915 se
   
   
     

Carl Wilhelmson pa slipen oil


pa slipen
Painting ID::  65592
pa slipen
1918 se
1918 se
   
   
     

Carl Wilhelmson hjalmar lundbohm oil


hjalmar lundbohm
Painting ID::  65593
hjalmar lundbohm
1923, linjeetsning se
1923,_linjeetsning se
   
   
     

Carl Wilhelmson hjalmar lundbohm oil


hjalmar lundbohm
Painting ID::  65594
hjalmar lundbohm
1923 se
1923 se
   
   
     

Carl Wilhelmson nackrosor oil


nackrosor
Painting ID::  65595
nackrosor
1923 se
1923 se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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