Carlo Dolci

1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.


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Carlo  Dolci Self Portrait_i oil


Self Portrait_i
Painting ID::  978
Self Portrait_i
1674 Galleria degli Uffizi, Florence
1674_ Galleria_degli_Uffizi,_Florence
   
   
     

Carlo  Dolci Vase of Flowers oil


Vase of Flowers
Painting ID::  979
Vase of Flowers
1665-75 Galleria degli Uffizi, Florence
1665-75_ Galleria_degli_Uffizi,_Florence
   
   
     

Carlo  Dolci Portrait of Ainolfo de' Bardi oil


Portrait of Ainolfo de' Bardi
Painting ID::  980
Portrait of Ainolfo de' Bardi
1632 Galleria degli Uffizi, Florence
1632_ Galleria_degli_Uffizi,_Florence
   
   
     

Carlo  Dolci Magdalene oil


Magdalene
Painting ID::  981
Magdalene
1660-70 Galleria degli Uffizi, Florence
1660-70_ Galleria_degli_Uffizi,_Florence
   
   
     

Carlo  Dolci The Adoration of the Kings oil


The Adoration of the Kings
Painting ID::  43093
The Adoration of the Kings
mk170 1649 Oil on canvas 117x92cm
mk170 1649 Oil_on_canvas 117x92cm
   
   
     

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     Carlo Dolci
     1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.

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