Carlo Crivelli

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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Carlo Crivelli Annunciation with St. Emidius oil


Annunciation with St. Emidius
Painting ID::  58511 		Annunciation with St. Emidius
Annunciation with St. Emidius (1486) 207x146,5 cm National Gallery, London.
   
   
     
Carlo Crivelli Crivelli 1476 painting of Saint Stephen oil


Crivelli 1476 painting of Saint Stephen
Painting ID::  58512 		Crivelli 1476 painting of Saint Stephen
Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
   
   
     
Carlo Crivelli Crivelli oil


Crivelli
Painting ID::  58514 		Crivelli
Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
   
   
     
Carlo Crivelli St James of the Marches with Two Kneeling Donors oil


St James of the Marches with Two Kneeling Donors
Painting ID::  84866 		St James of the Marches with Two Kneeling Donors
Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in). Medium English: oil on wood Date 1477 cjr
   
   
     
Carlo Crivelli Pieta oil


Pieta
Painting ID::  85742 		Pieta
Date second half of 15th century Medium Oil on wood cjr
   
   
     
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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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