Carlo Crivelli

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.


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Carlo Crivelli Annunciation with Saint Emidius oil


Annunciation with Saint Emidius
Painting ID::  669
Annunciation with Saint Emidius
1486 National Gallery, London
1486__ National_Gallery,_London
   
   
     

Carlo Crivelli Lamentation over the Dead Christ oil


Lamentation over the Dead Christ
Painting ID::  670
Lamentation over the Dead Christ
1485 Museum of Fine Arts, Boston
1485__ Museum_of_Fine_Arts,_Boston
   
   
     

Carlo Crivelli Madonna and Child Enthroned with a Donor oil


Madonna and Child Enthroned with a Donor
Painting ID::  671
Madonna and Child Enthroned with a Donor
1470 National Gallery of Art, Washington DC
1470__ National_Gallery_of_Art,_Washington_DC
   
   
     

Carlo Crivelli St.James of Marche with Two Kneeling Donors oil


St.James of Marche with Two Kneeling Donors
Painting ID::  672
St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
Musee_du_Louvre,_Paris
   
   
     

Carlo Crivelli St.Roch oil


St.Roch
Painting ID::  673
St.Roch

   
   
     

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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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