Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich View of the Baltic oil


View of the Baltic
Painting ID::  67458
View of the Baltic
View of the Baltic, oil painting by Caspar David Friedrich
View_of_the_Baltic,_oil_painting_by_Caspar_David_Friedrich
   
   
     

Caspar David Friedrich Watzmann by Friedrich oil


Watzmann by Friedrich
Painting ID::  67461
Watzmann by Friedrich
Oil painting by Caspar David Friedrich
Oil_painting_by_Caspar_David_Friedrich
   
   
     

Caspar David Friedrich Wreck in the Moonlight oil


Wreck in the Moonlight
Painting ID::  67462
Wreck in the Moonlight
Wreck in the Moonlight, oil painting by Caspar David Friedrich
   
   
     

Caspar David Friedrich monk by the sea oil


monk by the sea
Painting ID::  68924
monk by the sea
1809 oil on canvas 110x171.5cm se
1809 oil_on_canvas_110x171.5cm se
   
   
     

Caspar David Friedrich Mountain Peak with Drifting Clouds oil


Mountain Peak with Drifting Clouds
Painting ID::  69636
Mountain Peak with Drifting Clouds
oil on canvas painting by Caspar David Friedrich
oil_on_canvas_painting_by_Caspar_David_Friedrich
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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