Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Fog oil


Fog
Painting ID::  70882
Fog
1807(1807) Oil on canvas 34.5 x 52 cm (13.58 x 20.47 in)
   
   
     

Caspar David Friedrich Wald im Spatherbst oil


Wald im Spatherbst
Painting ID::  70892
Wald im Spatherbst
1835(1835) Oil on canvas 33 x 44 cm (12.99 x 17.32 in)
   
   
     

Caspar David Friedrich Bohemian Landscape with the Milesovka oil


Bohemian Landscape with the Milesovka
Painting ID::  70911
Bohemian Landscape with the Milesovka
Oil on canvas 71 x 104 cm (27.95 x 40.94 in)
Oil_on_canvas _ _71_x_104_cm_(27.95_x_40.94_in)
   
   
     

Caspar David Friedrich The Cross Beside The Baltic oil


The Cross Beside The Baltic
Painting ID::  70977
The Cross Beside The Baltic
1815(1815) 45 x 33.5 cm (17.72 x 13.19 in) Oil on Canvas
   
   
     

Caspar David Friedrich Klosterruine Oybin oil


Klosterruine Oybin
Painting ID::  71018
Klosterruine Oybin
1820-1840 Oil on canvas 27 x 21 cm (10.63 x 8.27 in)
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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