Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Two men contemplating the Moon oil


Two men contemplating the Moon
Painting ID::  71074
Two men contemplating the Moon
1819(1819) Oil on canvas 35 x 44 cm (13.78 x 17.32 in)
   
   
     

Caspar David Friedrich coucher de soleil sur la mer oil


coucher de soleil sur la mer
Painting ID::  71091
coucher de soleil sur la mer
mk289 1822 berlin nationalgalerie
mk289_1822_berlin_nationalgalerie
   
   
     

Caspar David Friedrich Elbschiff im Fruhnebel oil


Elbschiff im Fruhnebel
Painting ID::  71158
Elbschiff im Fruhnebel
c. 1821 Oil on canvas 22.5 x 30.8 cm (8.86 x 12.13 in)
   
   
     

Caspar David Friedrich The Giant Mountains oil


The Giant Mountains
Painting ID::  71164
The Giant Mountains
1830 - 1835 Oil on Canvas 73.5 x 102.5 cm (28.94 x 40.35 in)
   
   
     

Caspar David Friedrich Wiesen bei Greifswald oil


Wiesen bei Greifswald
Painting ID::  71237
Wiesen bei Greifswald
1820-1822 Oil on canvas 35 x 49 cm (13.78 x 19.29 in)
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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