Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Brennendes Neubrandenburg oil


Brennendes Neubrandenburg
Painting ID::  71635
Brennendes Neubrandenburg
c. 1835 Oil on canvas 72 x 101 cm (28.35 x 39.76 in)
   
   
     

Caspar David Friedrich By the townwall oil


By the townwall
Painting ID::  71709
By the townwall
1st quarter of 19th century Oil on canvas
1st_quarter_of_19th_century_ _Oil_on_canvas
   
   
     

Caspar David Friedrich Segelschiff oil


Segelschiff
Painting ID::  71725
Segelschiff
1815(1815) Oil on canvas
1815(1815) _ Oil_on_canvas
   
   
     

Caspar David Friedrich Morning in the Mountains oil


Morning in the Mountains
Painting ID::  71794
Morning in the Mountains
Date no later than 1823 Dimensions 135 x 170 cm (53.15 x 66.93 in)
   
   
     

Caspar David Friedrich Der Tempel der Juno in Agrigent) oil


Der Tempel der Juno in Agrigent)
Painting ID::  71855
Der Tempel der Juno in Agrigent)
c. 1830 Oil on canvas 54 x 72 cm (21.26 x 28.35 in)
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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