Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Wald im Spatherbst oil


Wald im Spatherbst
Painting ID::  71899
Wald im Spatherbst
Date 1835(1835) Dimensions 33 x 44 cm (12.99 x 17.32 in)
   
   
     

Caspar David Friedrich Two men contemplating the Moon oil


Two men contemplating the Moon
Painting ID::  72016
Two men contemplating the Moon
Two men contemplating the Moon between 1819(1819) and 1820
Two_men_contemplating_the_Moon between_1819(1819)_and_1820
   
   
     

Caspar David Friedrich Cross Beside The Baltic oil


Cross Beside The Baltic
Painting ID::  72044
Cross Beside The Baltic
Date 1815(1815) Dimensions 45 X 33.5 cm (17.72 X 13.19 in) [cyf]
   
   
     

Caspar David Friedrich Schwane im Schilf oil


Schwane im Schilf
Painting ID::  72141
Schwane im Schilf
1819 - 1820 Oil on canvas 36 X 44 cm (14.17 X 17.32 in)
   
   
     

Caspar David Friedrich Klosterruine Oybin oil


Klosterruine Oybin
Painting ID::  72188
Klosterruine Oybin
Date 1820-1840 Medium Oil on canvas Dimensions 27 X 21 cm (10.63 X 8.27 in) cyf
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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