Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Riesengebirgslandschaft oil


Riesengebirgslandschaft
Painting ID::  72540
Riesengebirgslandschaft
Date Deutsch: um 1835 English: c. 1835 Medium Oil on canvas Dimensions 73.5 X 102.5 cm (28.94 X 40.35 in) cyf
   
   
     

Caspar David Friedrich The evening oil


The evening
Painting ID::  72569
The evening
ca. 1820-1821 Oil on canvas 22 X 30.5 cm (8.7 X 12 in) cjr
   
   
     

Caspar David Friedrich Chalk Cliffs on Rugen oil


Chalk Cliffs on Rugen
Painting ID::  72591
Chalk Cliffs on Rugen
ca. 1818(1818) Oil on canvas 90.5 X 71 cm (35.63 X 27.95 in) cjr
   
   
     

Caspar David Friedrich Oak Tree in the Snow oil


Oak Tree in the Snow
Painting ID::  72675
Oak Tree in the Snow
1829(1829) Oil on canvas cjr
1829(1829) _ _Oil_on_canvas _ cjr
   
   
     

Caspar David Friedrich Tree with crows oil


Tree with crows
Painting ID::  72685
Tree with crows
1822(1822) Oil on canvas 54 X 71 cm (21.26 X 27.95 in) cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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