Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Felsenlandschaft im de:Elbsandsteingebirge oil


Felsenlandschaft im de:Elbsandsteingebirge
Painting ID::  72800
Felsenlandschaft im de:Elbsandsteingebirge
1822?C1823 Oil on canvas 94 X 74 cm (37.01 X 29.13 in) cjr
   
   
     

Caspar David Friedrich morning oil


morning
Painting ID::  72818
morning
Date X 1820-1821 Medium Oil on canvas Dimensions 22 X 30.5 cm (8.7 X 12 in) cyf
   
   
     

Caspar David Friedrich Verschneite Hutte oil


Verschneite Hutte
Painting ID::  72835
Verschneite Hutte
Date Deutsch: um 1827 English: c. 1827 Medium Oil on canvas Dimensions 31 X 25 cm (12.2 X 9.84 in) cyf
   
   
     

Caspar David Friedrich Brennendes Neubrandenburg oil


Brennendes Neubrandenburg
Painting ID::  72836
Brennendes Neubrandenburg
Date Deutsch: um 1835 English: c. 1835 Medium Oil on canvas Dimensions 72 X 101 cm (28.35 X 39.76 in) cyf
   
   
     

Caspar David Friedrich Tree with crows oil


Tree with crows
Painting ID::  72843
Tree with crows
1822(1822) Oil on canvas 54 X 71 cm (21.26 X 27.95 in) cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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