Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Drifting Clouds oil


Drifting Clouds
Painting ID::  72845
Drifting Clouds
1820 Oil on canvas 18.3 X 24.5 cm (7.2 X 9.65 in) cjr
   
   
     

Caspar David Friedrich Der Watzmann oil


Der Watzmann
Painting ID::  72850
Der Watzmann
1824 - 1825 Oil on canvas 133 X 170 cm (52.36 X 66.93 in) cjr
   
   
     

Caspar David Friedrich Klosterruine Eldena und Riesengebirge oil


Klosterruine Eldena und Riesengebirge
Painting ID::  72855
Klosterruine Eldena und Riesengebirge
1830-1835 Oil on canvas 73 X 103 cm (28.74 X 40.55 in) cjr
   
   
     

Caspar David Friedrich Morgen im Riesengebirge oil


Morgen im Riesengebirge
Painting ID::  72857
Morgen im Riesengebirge
1810-1811 Oil on canvas 108 X 170 cm (42.52 X 66.93 in) cjr
   
   
     

Caspar David Friedrich Riesengebirgslandschaft oil


Riesengebirgslandschaft
Painting ID::  72858
Riesengebirgslandschaft
c. 1824 or 1830 Oil on canvas 35 X 49 cm (13.78 X 19.29 in) cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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