Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Two men contemplating the Moon oil


Two men contemplating the Moon
Painting ID::  73509
Two men contemplating the Moon
Date between 1819(1819) and 1820 cyf
Date_between_1819(1819)_and_1820 _cyf
   
   
     

Caspar David Friedrich Trees in the moonlight oil


Trees in the moonlight
Painting ID::  73645
Trees in the moonlight
Trees in the moonlight cyf
Trees_in_the_moonlight cyf
   
   
     

Caspar David Friedrich On a Sailing Ship oil


On a Sailing Ship
Painting ID::  73671
On a Sailing Ship
Between 1818 and 1820 Oil on canvas 71 X 56 cm (27.95 X 22.05 in) cjr
   
   
     

Caspar David Friedrich Fichtendickicht im Walde oil


Fichtendickicht im Walde
Painting ID::  73700
Fichtendickicht im Walde
Fichtendickicht im Walde cjr
Fichtendickicht_im_Walde cjr
   
   
     

Caspar David Friedrich Landschaft mit dem Rosenberg in der bohmischen Schweiz oil


Landschaft mit dem Rosenberg in der bohmischen Schweiz
Painting ID::  73701
Landschaft mit dem Rosenberg in der bohmischen Schweiz
Landschaft mit dem Rosenberg in der böhmischen Schweiz cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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