Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Eiche im Schnee oil


Eiche im Schnee
Painting ID::  73860
Eiche im Schnee
Eiche im Schnee 1827-28 cjr
Eiche_im_Schnee 1827-28 cjr
   
   
     

Caspar David Friedrich Greifswald in Moonlight oil


Greifswald in Moonlight
Painting ID::  73862
Greifswald in Moonlight
Greifswald in Moonlight 1816-17 cjr
Greifswald_in_Moonlight 1816-17 cjr
   
   
     

Caspar David Friedrich The Garden Terrace oil


The Garden Terrace
Painting ID::  73864
The Garden Terrace
December 1811 The Garden Terrace cjr
December_1811 The_Garden_Terrace cjr
   
   
     

Caspar David Friedrich Evening on the Baltic Sea oil


Evening on the Baltic Sea
Painting ID::  73866
Evening on the Baltic Sea
Evening on the Baltic Sea 1831 cjr
Evening_on_the_Baltic_Sea 1831 _ cjr
   
   
     

Caspar David Friedrich Picture in Remembrance of Johann Emanuel Bermer oil


Picture in Remembrance of Johann Emanuel Bermer
Painting ID::  73867
Picture in Remembrance of Johann Emanuel Bermer
Picture in Remembrance of Johann Emanuel Bermer 1830-35 cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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