Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Gartenlaube in Greifswald oil


Gartenlaube in Greifswald
Painting ID::  75406
Gartenlaube in Greifswald
Deutsch: Gartenlaube in Greifswald Date 1818 cyf
Deutsch:_Gartenlaube_in_Greifswald_ Date_1818 _ cyf
   
   
     

Caspar David Friedrich Hunengrab im Herbst oil


Hunengrab im Herbst
Painting ID::  75408
Hunengrab im Herbst
Deutsch: Henengrab im Herbst Date 1820 cyf
Deutsch:_Henengrab_im_Herbst_ Date_1820 _ cyf
   
   
     

Caspar David Friedrich Dab na sniegu oil


Dab na sniegu
Painting ID::  75410
Dab na sniegu
Polski: Dąb na śniegu Date 1827-28 cyf
Polski:_Dąb_na_śniegu_ Date_1827-28 _ cyf
   
   
     

Caspar David Friedrich Greifswald w swietle ksiezyca oil


Greifswald w swietle ksiezyca
Painting ID::  75412
Greifswald w swietle ksiezyca
Polski: Greifswald w świetle księżyca Date 1816-17 cyf
   
   
     

Caspar David Friedrich Taras ogrodowy oil


Taras ogrodowy
Painting ID::  75414
Taras ogrodowy
Polski: Taras ogrodowy Date December 1811 cyf
Polski:_Taras_ogrodowy_ Date_December_1811 _ cyf
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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