Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Tannenwald im Mondschein oil


Tannenwald im Mondschein
Painting ID::  96810
Tannenwald im Mondschein
oil on canvas Dimensions 70.5 X 49 cm cyf
oil_on_canvas_ Dimensions_70.5_X_49_cm_ cyf
   
   
     

Caspar David Friedrich Winter Landscape oil


Winter Landscape
Painting ID::  96869
Winter Landscape
oil on canvas Dimensions 32.5 X 45 cm cyf
oil_on_canvas_ Dimensions_32.5_X_45_cm_ cyf
   
   
     

Caspar David Friedrich Monastery burial oil


Monastery burial
Painting ID::  96891
Monastery burial
1818(1818) Medium oil on canvas Dimensions 110 X 171 cm (43.3 X 67.3 in) cyf
   
   
     

Caspar David Friedrich Riesengebirgslandschaf oil


Riesengebirgslandschaf
Painting ID::  97282
Riesengebirgslandschaf
circa 1830(1830) Medium oil on canvas Dimensions 34.9 X 48.5 cm cyf
   
   
     

Caspar David Friedrich Monk by the Sea oil


Monk by the Sea
Painting ID::  97837
Monk by the Sea
1808(1808) or 1810(1810) Medium oil on canvas cyf
1808(1808)_or_1810(1810)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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