Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Caspar David Friedrich Evening oil


Evening
Painting ID::  44173 		Evening
c. 1824 Oil on cardboard, 20 x 27,5 cm
c._1824_ Oil_on_cardboard,_ 20_x_27,5_cm
   
   
     
Caspar David Friedrich Rocky Reef on the Sea Shore oil


Rocky Reef on the Sea Shore
Painting ID::  44174 		Rocky Reef on the Sea Shore
c. 1824 Oil on canvas, 22 x 31 cm
c._1824_ Oil_on_canvas,_ 22_x_31_cm
   
   
     
Caspar David Friedrich The Cemetery Entrance oil


The Cemetery Entrance
Painting ID::  44178 		The Cemetery Entrance
1825 Oil on canvas, 143 x 110 cm
1825_ Oil_on_canvas,_ 143_x_110_cm
   
   
     
Caspar David Friedrich Graveyard under Snow oil


Graveyard under Snow
Painting ID::  44179 		Graveyard under Snow
1826 Oil on canvas, 31 x 25 cm
1826_ Oil_on_canvas,_ 31_x_25_cm
   
   
     
Caspar David Friedrich Zwei Manner in Betrachtung des Mondes oil


Zwei Manner in Betrachtung des Mondes
Painting ID::  45198 		Zwei Manner in Betrachtung des Mondes
mk181 1819 Dresden Staatliche Kunstsammlungen Gemaldegalerie
   
   
     
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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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