Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Landscape with Solitary Tree oil


Landscape with Solitary Tree
Painting ID::  73975
Landscape with Solitary Tree
Landscape with Solitary Tree 1822
Landscape_with_Solitary_Tree 1822
   
   
     

Caspar David Friedrich Waldinneres bei Mondschein oil


Waldinneres bei Mondschein
Painting ID::  73987
Waldinneres bei Mondschein
Waldinneres bei Mondschein um 1823 bis 1830 cjr
Waldinneres_bei_Mondschein_ _um_1823_bis_1830 _ cjr
   
   
     

Caspar David Friedrich landscape oil


landscape
Painting ID::  73989
landscape
landscape cjr
landscape cjr
   
   
     

Caspar David Friedrich The stages of Life oil


The stages of Life
Painting ID::  74092
The stages of Life
The stages of Life" by Friedrich, Caspar David 1833(1833) cjr
   
   
     

Caspar David Friedrich Kugelgens Grab oil


Kugelgens Grab
Painting ID::  74153
Kugelgens Grab
Kugelgens Grab 1821/'22 cjr
Kugelgens_Grab_ _1821/'22 _ cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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