Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Felsenlandschaft im oil


Felsenlandschaft im
Painting ID::  74599
Felsenlandschaft im
Date 1822-1823 Medium Oil on canvas Dimensions 94 X 74 cm (37.01 X 29.13 in) cyf
   
   
     

Caspar David Friedrich Tree with crows oil


Tree with crows
Painting ID::  74629
Tree with crows
1822(1822) Medium Oil on canvas Dimensions 54 X 71 cm (21.26 X 27.95 in) cyf
   
   
     

Caspar David Friedrich Drifting Clouds oil


Drifting Clouds
Painting ID::  74630
Drifting Clouds
Date X 1820 Medium Oil on canvas Dimensions 18.3 X 24.5 cm (7.2 X 9.65 in) cyf
   
   
     

Caspar David Friedrich Der Watzmann oil


Der Watzmann
Painting ID::  74631
Der Watzmann
Deutsch: 1824 - 1825 English: 1824 - 1825 Medium Oil on canvas Dimensions 133 X 170 cm (52.36 X 66.93 in) cyf
   
   
     

Caspar David Friedrich Klosterruine Eldena und Riesengebirge oil


Klosterruine Eldena und Riesengebirge
Painting ID::  74633
Klosterruine Eldena und Riesengebirge
Deutsch: 1830-1835 English: 1830-1835 Medium Oil on canvas Dimensions 73 X 103 cm (28.74 X 40.55 in) cyf
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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