Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich On the Sailing Boat oil


On the Sailing Boat
Painting ID::  44162
On the Sailing Boat
c. 1819 Oil on canvas, 71 x 56 cm
c._1819_ Oil_on_canvas,_ 71_x_56_cm
   
   
     

Caspar David Friedrich The Sisters on the Balcony oil


The Sisters on the Balcony
Painting ID::  44163
The Sisters on the Balcony
c. 1820 Oil on canvas, 74 x 52 cm
c._1820_ Oil_on_canvas, 74_x_52_cm
   
   
     

Caspar David Friedrich Drifting Clouds oil


Drifting Clouds
Painting ID::  44164
Drifting Clouds
c. 1820 Oil on canvas, 18,3 x 24,5 cm
c._1820_ Oil_on_canvas,_ 18,3_x_24,5_cm
   
   
     

Caspar David Friedrich View of the Baltic oil


View of the Baltic
Painting ID::  44165
View of the Baltic
c 1820-25 Oil on canvas, 34,5 x 44 cm
c_1820-25_ Oil_on_canvas,_ 34,5_x_44_cm
   
   
     

Caspar David Friedrich Moonrise by the Sea oil


Moonrise by the Sea
Painting ID::  44166
Moonrise by the Sea
c. 1821 Oil on canvas, 135 x 170 cm
c._1821 Oil_on_canvas,_ 135_x_170_cm
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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