Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Morning in the Mountains oil


Morning in the Mountains
Painting ID::  44167
Morning in the Mountains
1822-23 Oil on canvas, 135 x 170 cm
1822-23 _Oil_on_canvas,_ 135_x_170_cm
   
   
     

Caspar David Friedrich Village Landscape in Morning Light oil


Village Landscape in Morning Light
Painting ID::  44168
Village Landscape in Morning Light
1822 Oil on canvas, 55 x 71 cm
1822_ Oil_on_canvas,_ 55_x_71_cm
   
   
     

Caspar David Friedrich Moonrise by the Sea oil


Moonrise by the Sea
Painting ID::  44169
Moonrise by the Sea
c. 1822 Oil on canvas, 55 x 71 cm
c._1822_ Oil_on_canvas,_ 55_x_71_cm
   
   
     

Caspar David Friedrich Meadows near Greifswald oil


Meadows near Greifswald
Painting ID::  44170
Meadows near Greifswald
c. 1822 Oil on canvas, 34,5 x 48,3 cm
c._1822 Oil_on_canvas, 34,5_x_48,3_cm
   
   
     

Caspar David Friedrich Rocky Ravine oil


Rocky Ravine
Painting ID::  44171
Rocky Ravine
1822-23 Oil on canvas, 94 x 74 cm
1822-23_ Oil_on_canvas,_ 94_x_74_cm
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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