Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Harbor at Night oil


Harbor at Night
Painting ID::  28336
Harbor at Night
mk60 Oil on canvas 29x20"
mk60 Oil_on_canvas 29x20"
   
   
     

Caspar David Friedrich Riesengebirge oil


Riesengebirge
Painting ID::  28337
Riesengebirge
mk60 1835 Oil on canvas 29x40"
mk60 1835 Oil_on_canvas 29x40"
   
   
     

Caspar David Friedrich Shipwreck or Sea of Ice oil


Shipwreck or Sea of Ice
Painting ID::  30680
Shipwreck or Sea of Ice
mk68 Oil on canvas Hamburg, Kunsthalle Museum 1823-1824 Germany
   
   
     

Caspar David Friedrich The Stages of Life oil


The Stages of Life
Painting ID::  33845
The Stages of Life
mk87 c.1835 Oil on canvas 72.5x94cm Leipzig,Museum der Bildenden Kunste
   
   
     

Caspar David Friedrich Abbey under Oak Trees oil


Abbey under Oak Trees
Painting ID::  33891
Abbey under Oak Trees
mk87 1809 Oil on canvas 110.4x171cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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